The Jubilee edition of the Millennium Docs Against Gravity festival allowed us to reflect together with prominent creators of documentary cinema on the past two decades of history, in accordance with the words: "Thou Shalt Not Be Indifferent" We paid attention to people who, through their documentary work, bring us closer to the experiences of others, help us see what is not always visible from afar, and thereby mobilize us to take action. We discussed the exceptional value of cinema itself, which teaches us sensitivity to the world.
We peered behind the scenes of documentary plans with guests from across the ocean: Margaret Ratliff, who is a co-producer and key participant in the film "Subject" in which she analyzes her involvement in the production of the 2018 Netflix true-crime documentary "The Staircase," and now works for the non-profit organization Documentary Participants Empowerment Alliance. Recognizing that the lives of heroes and heroines translated into film language, along with the premiere date, change irreversibly, we pondered the price they pay for sharing their stories and how to effectively care for the mental health and rights of those whose private lives can be observed by people around the globe.
We also departed from documentary material, examining the behind-the-scenes of intimate scenes in Polish film. In the company of intimacy coordinator Marta Łachacz, Polish casting director Paulina Krajnik, and acting duo Anna Szymańczyk and Hubert Miłkowski, we discussed the evolution of intimacy on the screen and highlighted creators who bravely pave the way for changes in connection with the film "Body Parts".
We delved into the utopian dream of an ideal world. Alongside Martyna Wojciechowska, Aleksandra Rutkowska, and Marta Bąkowska, we stood up for "young minds" to better understand the feelings of those growing up, and to help them effectively in times of crisis, all following the film "Hummingbirds".
We sought a way to engage in dialogue with people of differing worldviews, in the company of distinguished scientists: Prof. Monika Kostera and Prof. Anna Giza, prompted by the film "Polish Prayers".
We remained close to nature, as we do every year: inspired by Patagonia, during a debate hosted by WFF Poland, we expanded our knowledge about privately protected areas, also showcased in the film "Wild Life". We looked at the Polish backyard, seeking answers to the question: Can the rich save the world? We also posed numerous questions in a debate with Amnesty International Poland following the film "Investigator". We learned what the work of investigators looks like in countries torn by war and global hotspots. To find answers, we connected with Brian Castner - an expert in explosives, improvised explosive devices, post-blast investigations, as well as chemical, biological, and nuclear weapons. A former soldier and bomb technician in the United States Air Force, he served in Iraq, Qatar, and Saudi Arabia.
Together with the queer collective from Katowice, "Śląsk Przegięty", we opened the first "docu-drag show" in the history of the festival. Amidst the glitters, to the sounds of pop and operatic hits, intimate tales of personal identities blended with astonishing queer stories extracted from local archives.
Our viewers had the opportunity not only to admire movement but also to try their hand at dancing. In collaboration with the Dramatic Theatre in Warsaw, we harnessed the musical energy of Pina Bausch (as shown in the film "Dancing Pina"), whose stage was always a meeting place for individuals of diverse backgrounds, appearances, and dispositions. Alongside Katarzyna Małachowska, we proved, in line with Pina's words, that each of us is a dancer. The encounter with Pina Bausch's working method was primarily a beautiful encounter with oneself.
We contemplated art here and now, together with our guests, discussing the inclusivity of museum exhibitions following the film "White Balls on Walls". We also examined the history of sisterhood in various industries, from literature to the world of electronic music, inspired by the film "Smoke Sauna Sisterhood".
Bartek Chaciński brought us closer to the globally known composition, the titular "Bella Ciao", which crossed geographical boundaries and penetrated various cultural contexts, along with several other surprising histories of melodies that we don't bid farewell to but perhaps only say, "until we hear you again."